I began writing FEAST OF SORROW in 2007. I had about five or six chapters when I joined Lisa Border's Grub Street summer Novel in Progress class and began workshopping it. In it I met one of my writing partners, Anjali Mitter Duva. When I took the fall class, I met another writing partner, Jennifer Dupee. I was off and running.
Tasting Life Twice
Author Crystal King muses on life, history, writing and food.
Posts about Publishing:
Another year nearly gone by. A time for reflection and a time for resolutions. The end of this year feels fraught with anxiety for me, for a variety of reasons. I know I'm not alone in this regard. There seems to be a collective UGH that the people around me are saying. 2016 can't go away fast enough, for me, and for many others out there.
Or at least that's what she says about herself. "I don't think I'm a food writer any more than I am a love writer or a fish writer or a fowl writer. I just write about life." And yet her view on life was very much driven by taste and pleasure and food:
As you may know from either reading my blog, following me on social or being one of my friends and acquaintances, I'm currently seeking representation for my novel, FEAST OF SORROW. The novel, set in ancient Rome, is about Marcus Gavius Apicius (hear the pronunciation here) , the man with his name on the oldest known cookbook. The story, told through the eyes of the cook that makes him famous, is a turbulent and tragic story of a family in peril as a result of Apicius' ever-growing ego. It's a story full of luxurious food, drama, violence and political intrigue.
The novel is historical fiction, but because of the time period in which it is set, it's essentially genre fiction, that of ancient Rome. Many of the novels set in ancient Rome tend to be mysteries, which my book is not. Lindsey Davis, Steven Saylor, David Wishart and Robert Harris (all fantastic authors!) come to mind. Other books in the genre tend to be very heavy on the war and/or politics, including a few stand alone novels by some of the previously named authors, but also by others such as Colleen McCullough, Michael Curtis Ford, or Allan Massie.
For the last four (nearly five?) years or so I've been meeting with my writing group, not quite like clockwork, but about every two weeks. The three of us have hacked and slashed and encouraged each other's novels from start to finish, and gone through query letters, agent pitches and publishing challenges during that time. And of course, best of all, we have become close and dear friends as part of the process, bolstering spirits as we deal with family, illness, relationships, weddings, work woes and the ilk. I will know Anjali and Jen until I'm quite old and wizened, I am convinced.
Awhile back I thought I read that Ursula K. LeGuin has been in a writing group for many many years (if I'm remembering right she talks about this in Steering the Craft). At the time I remembering thinking, wow, someone as accomplished as she is still meets with others to go over her work?! I was impressed, but at the time, I didn't really understand the power of having ongoing encouragement that comes from being part of a small group that truly cares about your work. It's invaluable. Because of my writing group I don't get lazy. I moved immediately from finished to researching my next book. I feel compelled to move on the next chapter. I get excited to turn in work for feedback. I get lost in the worlds of their books. In short, because of this group I am on the continuous hamster wheel of writing creativity and as those of you know, if you fall off, it's a massive PITA to jump back on.